DESIGNING LEARNING
Art, Architecture, Creativity, and Pedagogy
04 - 10 October 2026 Reggio Emilia, Italy
As Vea Vecchi reminds us, built environments are always windows for ideas. Every space expresses an image of the learner and a vision of society itself.
Some spaces silence us.
Others invite us to explore, collaborate, wonder, and belong.
In Reggio Emilia, schools and public environments are imagined as places that listen: spaces capable of generating encounters, relationships, and creativity. Here, pedagogy and architecture evolve in continuous dialogue.
Drawing on the Reggio Emilia approach, we invite you to explore the intersections of art, architecture, creativity, and pedagogy, examining how environments, materials, and artistic processes shape the ways we learn.
Throughout the week, we will move through ateliers, schools, public spaces, and cultural centers that reveal how pedagogy, architecture, and art can evolve in conversation with one another and how environments can become places of imagination, encounter, experimentation, and collective learning.
“Built environments are windows for ideas.”
— Vea Vecchi
At a Glance
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Dates
04-10 October 2026
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Location
Reggio Emilia, Italy
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Audience
Educators, school leaders, architects/designers, museum and cultural practitioners, learning designers
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Language
English, with translation support for selected visits from Italian to English
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Group Size
20 participants
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Fee
€1250
What if learning spaces could teach us how to see differently?
What if pedagogy, architecture, and art were not separate disciplines but parts of a single creative dialogue?
Rooted in the Reggio Emilia approach, in this program, we explore how environments shape learning, how creativity emerges in relation to space, and how pedagogy can become an act of design.
Throughout the week in Reggio Emilia and its surrounding province, we encounter schools, ateliers, public spaces, and cultural projects that invite us to rethink education not as the transmission of knowledge, but as a collective process of research, imagination, and relationship. Together, we will explore a single practice through three interconnected lenses: the atelier as research, space as the third educator, and pedagogy as design exploring how they together shape learning environments.
The Culture of Atelier
Art as a Way of Thinking and A Wider Italian Tradition of Creativity
In Reggio, art is not an addition to learning. It is a language for thinking, researching, and constructing knowledge. The atelier embodies this philosophy: a space where imagination, materials, and ideas converge. The atelierista, an artist working within education, bridges aesthetic exploration with pedagogical reflection, helping both children and adults to think with their hands, eyes, and hearts.
At the Loris Malaguzzi International Centre, we spend a day inside this practice working with materials, light, and provocations alongside experienced atelieristas, encountering the culture of atelier from the inside rather than as observers.
This way of thinking does not begin or end in Reggio Emilia but belongs to a wider Italian conversation about imagination, one in which playfulness was treated with the seriousness it deserves. Bruno Munari approached fantasia, invenzione, creatività, and immaginazione as essential tools for thought, accessible to everyone. Gianni Rodari treated imagination as something that belongs to everyone, a grammar of fantasy that anyone could learn to use.
We invite you to see creativity not as a talent reserved for a few, but as a fundamental human capacity and a way of engaging with the world. Through the culture of the atelier, we explore how artistic languages, experimentation, and imagination can become powerful tools for inquiry, reflection, and meaning-making.
NO WAY. THE HUNDRED IS THERE
The child is made of one hundred.
The child has a hundred languages, a hundred hands
a hundred thoughts, a hundred ways of thinking
of playing, of speaking.
A hundred always a hundred ways of listening
of marveling of loving a hundred joys
for singing and understanding a hundred worlds
to discover a hundred worlds to invent
a hundred worlds to dream.
The child has a hundred languages
(and a hundred hundred hundred more)
but they steal ninety-nine.
In the Reggio Emilia approach, space is understood as the “third educator”, an active participant in the learning process alongside children and adults. Environments are designed not simply for children, but with an image of the child in mind: curious, capable, social, and full of potential. Light, materials, transparency, nature, and beauty all become part of a language through which schools communicate values and possibilities. Rather than serving as a neutral backdrop, spaces communicate values and possibilities, shaping how learners move, interact, think, and construct knowledge together.
Through the lens of the hundred languages, we will explore learning environments that honour multiple ways of expressing, knowing, and understanding the world and how schools can become places of research, dialogue, experimentation, and belonging. Our school visits are accompanied by Alessandra Ferrari, pedagogical coordinator of the Bassa Reggiana school network, whose work brings together years of experience in the municipal preschools of Reggio Emilia with a deep engagement in outdoor education and nature pedagogy.
A central experience within this theme is our visit to REMIDA, Reggio Emilia’s creative recycling centre and one of the city’s most influential cultural projects. At REMIDA, discarded industrial materials are collected, curated, and transformed into invitations for imagination and inquiry. More than a recycling centre, REMIDA represents a different ethic of education: one grounded in sustainability, creativity, and the belief that value can emerge through relationships and reinterpretation. Here, materials are not passive objects but protagonists in the learning process, capable of provoking questions, stories, connections, and new forms of expression.
Across these encounters, we invite you to reflect on a simple but profound question: what does it mean to create learning environments where space, materials, and the world itself become active participants in education?
Space as Third Educator
When Architecture Becomes Pedagogy
If the environment is a creative act, so is teaching. The Reggio Approach draws a clear distinction between two Italian words: programmazione — the planning of learning in advance, with predetermined outcomes — and progettazione — a process of designing learning in dialogue with children, questions, materials, and emerging possibilities as a living and collective process.
Progettazione does not begin from the assumption that learning can be fully predicted or controlled. Instead, it understands education as a living process shaped through observation, interpretation, experimentation, and collective reflection. Teachers work not as transmitters of ready-made knowledge, but as researchers alongside learners — listening closely, documenting processes, and responding to the unexpected directions that inquiry can take.
To move from programmazione to progettazione is therefore not simply a methodological shift, but an ethical and political one. It requires trust in uncertainty, attentiveness to relationships, and a willingness to construct meaning together rather than deliver it from above. In this approach, curriculum emerges through encounters: between people, ideas, materials, spaces, and the wider world.
Throughout the course, participants explore how pedagogy itself can become a form of design, one that balances intention with openness, structure with improvisation, and care with experimentation. The question is not only what we teach, but how we create the conditions for thinking, participation, and shared discovery to become possible.
This is also what gives the Reggio Emilia approach its significance far beyond early childhood education. At its heart lies a broader civic vision: the belief that schools, cultural spaces, and communities should be designed around participation, dialogue, imagination, and the dignity of every human voice.
Pedagogy as Design
From Programmazione to Progettazione
Who is this for?
In this program, we welcome everyone engaged in the design, creation, and care of learning environments and cultural spaces. It is open to educators across all levels, school leaders, pedagogistas and atelieristas, architects and designers, artists, librarians, museum and community-space professionals, researchers, policy makers, and cultural practitioners.
Whether you work with young children, adolescents, university students, or adults — in schools, museums, libraries, ateliers, universities, or public spaces — through our program, we invite you into a shared exploration of how creativity, pedagogy, and imagination can shape learning across contexts, disciplines,
At the heart of this week is the idea that educational transformation cannot be reduced to architecture, aesthetics, or flexible furniture alone. New environments do not automatically produce new forms of learning. As many educators and designers working in this field remind us, meaningful change requires a parallel transformation in culture, relationships, and professional practice.
Environments matter because they shape encounters, participation, autonomy, and ways of thinking but only when educators themselves develop new ways of observing, collaborating, listening, and designing learning together.
This is why in our programs, we approach educational design not as the creation of finished solutions, but as an ongoing process of experimentation and collective inquiry. We invite you to think beyond the question of what spaces should look like and instead ask: What kinds of relationships, interactions, and forms of learning do we want to make possible?
Across the week, we explore how schools and cultural spaces can prototype new practices in small, meaningful ways — through documentation, dialogue, interdisciplinary collaboration, and attention to how people actually work together. In this sense, educational design becomes less about implementing models and more about cultivating the conditions for change to emerge.
What is included?
The program unfolds across five days of school visits, ateliers, dialogues, co-design sessions, guided visits and shared meals.
€1250 per program
Course fee €660
School visits €350
Participant services and cultural program €240
The fee includes:
Full participation in the program
School visits, ateliers, and guided pedagogical encounters
Visits to cultural projects and learning spaces, including REMIDA
Facilitation, interpretation, and pedagogical accompaniment throughout the week
Welcome aperitivo on Sunday evening
Shared lunch on the day of the school visits and closing celebration meal
Participant welcome packet with schedule, readings, and practical information
Transportation within the programme when required
Professional translation services from Italian to English
Course materials and collective documentation
The programme is intentionally designed as a small-group experience to allow for dialogue, reflection, and meaningful exchange among participants.
Not Included
Travel to and from Reggio Emilia
Accommodation
Other meals and personal expenses
Optional activities outside the programme schedule
Detailed practical information, accommodation suggestions, and travel guidance are shared with registered participants after confirmation.
What You Take Home
Learning is not something consumed and completed, but something carried forward, revisited, transformed, and shared with others.
This week is an encounter with ideas, schools, and pedagogical practices. It is also a process of making, reflecting, and designing.
Throughout the program, participants gradually develop a series of personal artefacts that translate observation into reflection, and reflection into future practice.
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a personal statement that articulates how the ideas, encounters, and provocations of the week might influence one’s own educational, cultural, or creative work. Rather than a fixed methodology, it becomes a declaration of values, intentions, and possibilities.
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A portable collection of materials, traces, sketches, notes, images, textures, and provocations gathered across the week. Inspired by the culture of the atelier, it serves both as a tactile memory of the experience and as a resource for future experimentation back home.
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a curated collection of questions generated through dialogue, observation, and reflection. The aim is not to leave with ready-made answers, but with stronger questions: questions capable of continuing conversations, opening new lines of inquiry, and reshaping practice over time.
PRE-REGISTRATION FORM
This form allows us to get to know you and your context as we curate the learning group for Designing Learning | Art, Architecture, Creativity, and Pedagogy.
Once submitted, we will reach out with confirmation and details about the next steps.
Your Questions, Answered
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In this programme, we welcome everyone who designs, nurtures, or reimagines spaces of learning and culture — educators across all levels, school leaders, pedagogistas and atelieristas, architects and designers, artists, librarians, museum and community-space professionals, researchers, and cultural practitioners. Whether you work with children, adolescents, university students, or adults, the programme invites you into a shared exploration of how creativity, pedagogy, and imagination can shape meaningful learning experiences across contexts and disciplines.
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Both options are possible. Individuals bring fresh perspectives, while teams from the same school or organization benefit from a shared learning journey.
We encourage team participation, as the experience is enriched when schools, organizations, or design practices join with multiple voices.
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The program is conducted in English and structured as a co-design lab, where each participant is an active contributor.
For selected activities, such as school visits or local presentations, professional translation services are provided.
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We intentionally keep the group small to ensure meaningful dialogue and collaboration. Each course is limited to 20 participants, which allows us to work closely together during ateliers, workshops, and guided school visits.
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Yes. The course is compatible with Erasmus+ KA1 funding. While our participants come from many parts of the world, we reserve 25% of places for Erasmus+ funded institutions.
Cost Details:
Course Fee: €660
School Visit: €350
Participant Services and Cultural Program: €240 Translation, transportation, catering, cultural activities
Catering Fee includes:
Welcome apericena Sunday (aperitivo + dinner)
Languages of Food atelier dinner
Goodbye celebration dinner
Lunch (during school visit)
If you plan to participate with Erasmus+ support, please contact us to secure your spot.